and Farewell to Peter offers an instrumental elegy to Peter Jennings. NAMI is the National Alliance on Mental Health. Though the music of Canadian fiddler Natalie MacMaster remains rooted in her. ADAMH is the Alcohol Drug And Mental Health Board of Franklin County. 28:22 minutes (51.94 MB) Simply Healthy Radio host Kris Keller interviews Stephanie Patrick, Clinical Director of ADAMH and Julie Furj, Executive Director of NAMI Columbus. It was exactly what Buddy is, it was low-key, it was gentle, says Natalie. Submitted by simplyhealthy on Fri, - 12:12am. The jaunty "Flea as a Bird" throws a little country and ragtime into the mix, "Cape Classico" balances the rigidity of classical violin with the bright lilt of Irish fiddle, and the full-on Celtic rock of "Matt and Nat's" gives the collection some serious cajones. Oh my gosh, I think he would have loved it. Stream songs including Farewell to Peter. Backed by a small army of instrumental masters, airs like "Farewell to Peter" and traditional sets such as "David's Jig: David's Jig/Valerie Pringles' Reel" are precise examples of contemporary Celtic music, but with the exception of a horrifying version of "Danny Boy" sung by Michael McDonald (seriously, you lose a whole star for that kind of thing), it's when MacMaster takes the genre out for a walk that things get really interesting. Listen to Farewell to Peter - Single by Steve and Ruth Smith on Apple Music. She is one of the best-known musicians in the tradition of the driving Cape Breton fiddle music style, and has made a highly successful career as a touring musician, traveling to Europe and Asia and doing. MacMaster is a peerless player, and here she starts things off with a fiery opener, the appropriately titled "Volcanic Jig," which sets the tone for Yours Truly. Natalie MacMaster (born June 13, 1972) is an award-winning fiddler from the rural community of Troy in Inverness County, Nova Scotia, Canada. Canadian superstar fiddler and dancer Natalie MacMaster's tenth full-length recording doesn't deviate much from her usual formula, but considering the fact that her "usual formula" consists of filtering traditional Celtic music through the open-ended sieves of jazz, rock, country and Latin, the results are far from predictable. BUT FEW MATCH THE BEGUILING TRUE-LIFE TALE OF NATALIE MACMASTER AND DONNELL LEAHY, CANADA’S REIGNING COUPLE OF CELTIC MUSIC, WHOSE DAZZLING CAREER ACHIEVEMENTS UNDERPIN AN INCOMPARABLE OFF-STAGE LIFE.
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